by Joshua Whitehead (Editor)
★★★
Many of the stories are glaringly built around a fixed idea so that the notes at the end are redundant—or are more interesting than the stories themselves. The surrounding texts are more filler than breathing worlds. “The Merchant and the Alchemist’s Gate”, “The Lifecycle of Software Objects”, and … Read more
It’s a shame that nearly all the authors who are paid homage are long dead white men. And having one character describe the protagonist as sexist isn’t enough. Why is alien telepathy more envisionable than gender equity in 2066?
Still Thompson has created an … Read more
I managed to finish six of the stories. Generally too on the nose and yielding to stock themes of science fiction. “Walking Awake” was the most engaging even with all the hand-holding, with allusions to Get Out and TNG’s “Conspiracy”.
So far Jemisin’s not for me.
Read:
Reading about an ant painstakingly tracing each character on a gravestone signals the early slog. The flatness of the first two parts cannot be pinned entirely on the alternate translator either. The details are dull and offensive. Women squeal and fuss, and when … Read more
I liked the big picture of the story and the identities of the characters—women of colour, neuroatypical, queer, non-maternal. The pacing was lurching, however, with some episodes feeling out of place, others unfinished, while others still went on too long, like with the multiple flashbacks of misogynist role … Read more