by Sayaka Murata
★¾
The Mary Poppins-speak is beyond belabored, alongside amateur journalist mythmaking with the principal characters speaking about themselves as if they were their own fans (‘history in the making‘, ‘we were all young and beautiful and gifted‘). The author compares characters to celebrities instead of … Read more
Flows well enough at the start but as soon as the stakes are set it becomes something like when you humour a friend who wants to recount an incoherent dream they had the night before. Lasting impressions are of unfunny banter, both connection and conflict that don’t ring … Read more
Well intentioned but not damning nor transformative. There’s a flash of technosolutionism and ‘A taxonomy of slacking off’ in chapter 7 is embarrassing. Paraphrased: Some people take up smoking so they can take smoke breaks. Another thing you could do is learn a rare skill so your boss … Read more
In the introduction, after talking about trans rights, the overrepresentation of wealthy white women, and anticapitalism, she promotes Chimamanda Ngozi Adichie, Emma Watson, and Sheryl Sandberg. Despite arguing for coalitions and solidarity in difference, Bryson gives immoderate space to anti-trans fearmongering in chapter 4. There’s a school report … Read more
She talks about colonialist principles being applied to Europe in WWII (Césaire), conditional absorption into whiteness, and revisionist histories—in riddling analogies and immoderate irony. She writes more straightforwardly about internalised racism and white men in Europe claiming to stand up for women only when they can pin patriarchal … Read more