by Pierre Boulle
Five pages in, fully invested in the myth of meritocracy. A ratio of one to twelve signals neither sexism nor racism, and the Nobel prize is apolitical.
Full chapters in half a thousand pages aggravatingly steeped in Christian patriarchy, with moderate compensation in a playfulness of language. Lucy must perform for and soothe a domineering, needling, petty, and creepily hovering M. Emanuel, who at a switch is transformed into her life’s hero.